LET'S SHALLA BLOG

 

Find the latest market news, writing classes,

writing tips, Shalla Chats (interviews with editors, lit agents, publishers), etc.

NEWS! Shalla de Guzman's flash fiction, Fish In My Bedwon the FISH AND PLANE Competition and is featured in Issue 6 of Mad Hatters Review.

Shalla is now on WordRiot: good writing. no remorse.................Check out SHALLA Magazine: www.shallamagazine.com

*This blog may contain content from external sources, external content is linked back to its source*

 

 

 

 

 

 

 

 

 

 

 

Thursday

Shalla News: SHALLA TALKS





SHALLA TALKS: EDITING YOUR WORK


Like to Connect with Readers?

Like to Post Stories & Poems?

Heard of Spoiled Ink Writing Community?

(Also check out Zoetrope All Story Virtual Studio

and Long Ridge Writers Group)


Spoiled Ink has been designed to help writers get more readers, improve their craft, get published and promote any already published work.Build your free web base with free personal web address in minutes.

Basic Membership is free.

As well as giving you a free personal web address, it allows you to upload three stories/poems, post in the forum and give and receive critiques.

Premiere features, like internal mail, bulk mail, unlimited story/poem uploads, book promotion & online store, publishing history links and more are available through upgrades and start from as little as $2.50 per month.

FYI: Here is Shalla on Spoiled Ink

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SPOILED INK'S SUGGESTIONS ON CRITIQUING

CHARACTERISATION: Do the characters seem real, or are they recognizable stereotypes, and is this a problem in the context of this particular story?

Are the characters’ motives logical and necessary to the story?

Are we meant to identify with any characters, and if so, do we?


DIALOGUE Does the dialogue seem realistic?

Can the reader imagine real people talking as the characters do?

Does the dialogue add to the story, or distract us from it?


SETTING: Does the story have a context and place that is convincing and alive? Is the reader able to visualise each scene?


POINT OF VIEW: Is the POV consistent, or does it leap in the middle of a scene? Is the POV appropriate – do we get a clear enough picture of the principle character’s inner drama – or too much? Could the story be told fmore interestingly from another POV?


DEVELOPMENT: Does the story develop organically, without the reader noticing, or does the narrative make sudden leaps or get stagnant? Does the reader get confused at any point?


PACING: How deeply is the reader drawn into the story? How long does the story take to set up? Is the reader drawn into the story from the beginning? Which is most appropriate for each particular story: non-stop action or character development?


MECHANICS: At the outset, some writers experience trouble with the mechanics of expressing their fiction in words. Story, paragraph and sentence structure are all slaves to the flow of a piece. If something is amiss, the reader will experience the lack of flow immediately.

A critique of a later draft can be invaluable in pointing out some of the specifics that are impeding the narrative flow.

*read more


SHALLA TALKS: MARKETING YOURSELF/YOUR WORK

Check out MySpace.com

Meet lots of authors and readers. Network!
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Also, SHALLA TALKS