So, you like to write and publish a novel, huh?
WRITE & PUBLISH YOUR NOVEL From writing Query letters to Formatting Manuscripts to writing Book Proposals, here are tips and tricks to get your book sold!
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Weave Sub-Plots Into Your Novel
by Lee Masterson
How many times have you started work on a great novel only to run out of steam 50 pages into your work?
The story stalls, the idea goes flat, the characters seem to stare back at you saying “What now, boss?”
In some cases it might be that you didn’t spend enough time planning how your characters are going to get from beginning to end and that red-hot plot you were so excited about just fizzles out. In other cases it might be that the idea wasn’t big enough to fill out a novel or maybe you simply don’t have enough conflict in your story so far and want to liven things up a bit.
Weaving a second plot through your main storyline not only helps you to uncover new facets of your characters but can help raise conflict levels and create tension. You also have the opportunity to create a new depth to your original story, building layers of complexity that can force your fictional world into three dimensions.
If you create a sub-plot that has absolutely nothing to do with the main plot you’ll even force your reader to keep turning pages just to see how they gel together. Of course your reader already knows they will end up tied together in a neat little bow by the end of the book – otherwise there would be no reason for the new plot thread – but the reader will want to know how they end up intertwined and so will keep reading to find out.
Your sub-plot doesn’t need to be a romantic thread braided through the original story, although this is one of the more common sub-plot tactics used in many novels. You might decide to have your main secondary character working with your protagonist openly, but secretly harboring a desire to thwart the hero’s efforts at every turn because he has other things on his agenda. You might decide to introduce a completely new plot to your novel that has nothing to do with the first and weave these together.
No matter what you decide to add for your sub-plot or how separate they are, it’s important that something within the sub-plot contains a vital element that is necessary to complete the main plot.
For more: http://www.fictionf%20actor.com/%20articles/%20subplots.%20html
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by Lee Masterson
How many times have you started work on a great novel only to run out of steam 50 pages into your work?
The story stalls, the idea goes flat, the characters seem to stare back at you saying “What now, boss?”
In some cases it might be that you didn’t spend enough time planning how your characters are going to get from beginning to end and that red-hot plot you were so excited about just fizzles out. In other cases it might be that the idea wasn’t big enough to fill out a novel or maybe you simply don’t have enough conflict in your story so far and want to liven things up a bit.
Weaving a second plot through your main storyline not only helps you to uncover new facets of your characters but can help raise conflict levels and create tension. You also have the opportunity to create a new depth to your original story, building layers of complexity that can force your fictional world into three dimensions.
If you create a sub-plot that has absolutely nothing to do with the main plot you’ll even force your reader to keep turning pages just to see how they gel together. Of course your reader already knows they will end up tied together in a neat little bow by the end of the book – otherwise there would be no reason for the new plot thread – but the reader will want to know how they end up intertwined and so will keep reading to find out.
Your sub-plot doesn’t need to be a romantic thread braided through the original story, although this is one of the more common sub-plot tactics used in many novels. You might decide to have your main secondary character working with your protagonist openly, but secretly harboring a desire to thwart the hero’s efforts at every turn because he has other things on his agenda. You might decide to introduce a completely new plot to your novel that has nothing to do with the first and weave these together.
No matter what you decide to add for your sub-plot or how separate they are, it’s important that something within the sub-plot contains a vital element that is necessary to complete the main plot.
For more: http://www.fictionf%20actor.com/%20articles/%20subplots.%20html
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New York Times Bestseller List (find out what's selling)
USA Today Bestseller List
webrings
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